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Emotiva Audio XSP-1 Differential Reference Preamp Preview

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Emotiva Audio XSP-1 Differential Reference Preamp

Emotiva Audio XSP-1 Differential Reference Preamp

Summary

  • Product Name: XSP-1
  • Manufacturer: Emotiva Audio
  • Review Date: September 23, 2012 19:30
  • MSRP: $899
  • First Impression: Gotta Have It!
  • Inputs:

    Line level: 2 pairs balanced; 4 pairs unbalanced

    Home theater (line level, left, right, sub): 1 set balanced; 1 set unbalanced

    Processor loop (line level): 1 pair unbalanced

    Input impedance, line level: 50k ohms

    Phono (MM or MC): 1 pair unbalanced

  • Outputs:

    Main: 1 pair balanced; 1 pair unbalanced

    (Main outputs may be configured as flat or high-pass; high-pass is adjustable from 50 Hz to 250 Hz)

    Subwoofer (left, right, summed): 1 set balanced; 1 set unbalanced

    (Subwoofer outputs may be configured as flat or low-pass; low-pass is adjustable from 50 Hz to 250 Hz)

    Processor loop (line level): 1 pair unbalanced

    Minimum recommended load impedance: 600 ohms

  • Trigger:

    Trigger input and output: 1 each

    IR input and output: 1 each

  • Gain structure:

    Nominal output level: 0 dBV (1 V)

    Nominal gain (with Volume set to “0”): 1

    Maximum gain: +12 dB

  • High-Frequency and Low-Frequency Trims:

    HF trim (settings): -3 dB, -2 dB, -1 dB, Flat, +1 dB, +2 dB, +3 dB @ 12 kHz

    HF trim (inflection point): 4 kHz

    LF trim (settings): -3 dB, -2 dB, -1 dB, Flat, +1 dB, +2 dB, +3 dB @ 50 Hz

    LF trim (inflection point): 200 Hz

  • Bass Management:

    Crossover slopes (high-pass and low-pass): 12 dB / octave

    Crossover frequency (high-pass and low-pass): User configurable, 50 Hz to 250 Hz

  • Balanced Input to Balanced Output

    S/N (signal-to-noise ratio, A-weighted, ref +6 dBV): > 117 dB

    Frequency response: 20 Hz to 20 kHz +/- 0.02 dB

    THD + N (harmonic distortion plus noise, @ 1 kHz): < 0.0004%

    IMD (intermodulation distortion, SMPTE method, 60 Hz/7 kHz): < 0.001%

    Crosstalk (measured at +6 dBF, 10 kHz): < 100 dB

  • Unbalanced Input to Unbalanced Output

    S/N (signal-to-noise ratio, A-weighted, ref +6 dBV): > 113 dB

    Frequency response: 20 Hz to 20 kHz +/- 0.015 dB

    THD + N (harmonic distortion plus noise, @ 1 kHz): < 0.0006%

    IMD (intermodulation distortion, SMPTE method, 60 Hz/7 kHz): < 0.001%

    Crosstalk (measured at +6 dBF, 10 kHz): < 102 dB

  • Balanced Input to Unbalanced Output

    S/N (signal-to-noise ratio, A-weighted, ref +6 dBV): > 114 dB

    Frequency response: 20 Hz to 20 kHz +/- 0.015 dB

    THD + N (harmonic distortion plus noise, @ 1 kHz): < 0.0005%

    IMD (intermodulation distortion, SMPTE method, 60 Hz/7 kHz): < 0.0015%

    Crosstalk (measured at +6 dBF, 10 kHz): < 105 dB

  • Unbalanced Input to Balanced Output

    S/N (signal-to-noise ratio, A-weighted, ref +6 dBV): > 115 dB

    Frequency response: 20 Hz to 20 kHz +/- 0.017 dB

    THD + N (harmonic distortion plus noise, @ 1 kHz): < 0.0003%

    IMD (intermodulation distortion, SMPTE method, 60 Hz/7 kHz): < 0.007%

    Crosstalk (measured at +6 dBF, 10 kHz): < 100 dB

  • Phono (Moving Coil; phono in to balanced out)

    Gain (1 kHz, Volume at 0): approximately 60 dB

    Input impedance (user selectable): 47 ohms, 100 ohms, 470 ohms, 1k ohm

    S/N (signal-to-noise ratio, A-weighted, ref 1.0 mV in): > 79 dB

    Frequency response (referenced to standard RIAA curve): 20 Hz to 20 kHz +/- 0.35 dB

    THD (total harmonic distortion, ref 1.0 mV): < 0.008%

    IMD (intermodulation distortion, SMPTE method: < 0.15 %

    Crosstalk: < 65 dB

  • Phono (Moving Magnet; phono in to balanced out)

    Gain (1 kHz, Volume at 0): approximately 40 dB

    Input impedance: 47k Ohms

    S/N (signal-to-noise ratio, A-weighted, ref 10.0 mV in, A-weighted): > 96 dB

    Frequency response (referenced to standard RIAA curve): 20 Hz to 20 kHz +/- 0.3 dB

    THD (total harmonic distortion, ref 10 mV): < 0.001%

    IMD (intermodulation distortion, SMPTE method: < 0.05%

    Crosstalk: < 80 dB

Instead of bringing balance to the Force, Emotiva Audio has brought balance to a stereo preamp. With a two year development time, the XSP-1 has everything the discerning audiophile expects in a preamp except for the high pricetag. At under $900, the Emotiva XSP-1 is practically an impulse buy for the sort of buyer that would be interested in the signal purity the XSP-1 promises.

To start with, the XSP-1 has a completely analogue signal path that is fully differential from input to output. Differential circuits are more complex and costly to build but they offer a huge advantage in lowering noise and distortion.  The Telecom world wouldn't exist without balanced circuits as they are essential for transmitting very small signals across vast distances.  State of the art in amplification is always fully differential from input to output and Emotiva recognizes what so many so called "high end" companies don't.

Audioholics Official Emotiva XSP-1 Video Review

Emotiva has even upgraded the level control with instrumentation-grade relays with silver clad contacts. The level is set via a high performance, high, voltage, digitally controlled analogue resistor ladder network with .25dB resolution. Most other audiophile-grade products will have more than 2dB of channel tracking error at some points which Emotiva eliminates.

xsp1_rear

The XSP-1 has two sets of the balanced (XLR) line inputs and one set of balanced outputs. It also has four sets of unbalanced (RCA) inputs and a single output. There is the required phono input for vinyl lovers with MM/MC capability and adjustable input impedance for MC. Most interestingly is that the XSP-1 features dual subwoofer outputs which can be routed stereo or summed. Crossover duties are kept in the analogue domain with separate high pass controls for your mains and low pass for your sub(s). Bass management can also be completely bypassed.  This gives you very precise control over how your sub and mains interact so that you can take the most advantage of their individual strengths. Usually, you set the crossover at a point and high and low pass filters are set by the device. Emotiva has recognized that people looking for a fully balanced product probably have speakers that don't fall into easy presets.

xsp1_top

The Emotiva XSP-1 has a few other niceties. most notably, you can integrate the XPS-1 into a home theater system allowing you to use it as a high end two-channel preamp or bypassing it being "ht bypass" mode so it runs transparently between your A/V processor and power amplifier.

There is a high current headphone amplifier on board with its own volume control. There are trigger and IR inputs and outputs for easy integration into a universal remote system. An external processor loop is included as well. If the XSP-1 is used in the same room as a home theater system (using the same speakers), there is a home theater bypass mode (and individual main/sub inputs - both balanced and unbalanced) so that you can use both without switching cables.

Conclusion

As you'd expect from Emotiva, they've put together a very solid offering in the XSP-1 Differential Reference Preamp. What you won't expect is the $900 price tag for a fully balanced stereo preamp with top of the line construction and parts. With every single aspect of the XSP-1 well planned and thought out, we can think of nothing they forgot.

From its fully differential construction, .25dB resolution on the volume control, home theater bypass mode, stereo subwoofer support with defeatable analogue bass management, user configurable high pass and low pass filters to the full featured phono input and true external processor loop, everything is here.  At this price, we can't think of any serious audiophile that wouldn't be interested in the XSP-1.  It'ss a unique product in this market and a gem for any audiophile that wants great performance and versatility often lacking in most alternatives.

For more information, please visit www.emotiva.com.

Unless otherwise indicated, this is a preview article for the featured product. A formal review may or may not follow in the future.

About the author:
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As Associate Editor at Audioholics, Tom promises to the best of his ability to give each review the same amount of attention, consideration, and thoughtfulness as possible and keep his writings free from undue bias and preconceptions. Any indication, either internally or from another, that bias has entered into his review will be immediately investigated. Substantiation of mistakes or bias will be immediately corrected regardless of personal stake, feelings, or ego.

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