Axiom Audio Epic 80 Loudspeaker System Review
- Product Name: Epic 80 Home Theater Speakers
- Manufacturer: Axiom Audio
- Performance Rating:
- Value Rating:
- Review Date: January 29, 2003 18:00
- MSRP: $ 2,808
M80 Enclosure: Triple Vortex / Reflex Max Amp Power: 400Watts Min Amp Power: 10 Watts Freq Resp +/-3db (Hz): 37 - 22kHz Graph Freq Resp +3dB- 9dB (Hz): 25 - 22kHz Impedance (Ohms): 4 Ohms SPL in Room1w/1m(db): 95 dB SPL Anechoic 1w/1m(db): 91 dB X-Over 160Hz & 2.3kHz Tweeter: Dual 1" Woofer: Dual 5.25" Sub Woofer: Dual 6.5" Dimens. H W D (inches): 39.5" x 9.25" x 17" Dimens. H W D (mm): 1003 x 235 x 432 Weight (lbs) each 56.8 lbs (25.8 kgs) EP350 Enclosure: Vortex / Reflex Max Amp Power: 200 Watts Cross-over Adjust 40 - 150 Phase 0 & 180 Woofer Size 12" DSP Controlled No Line In and Out Yes Balanced Line In and Out No High Level In Yes Room Trim No Dynamic Power Supply No Anechoic Resp. +/- 1.5dB - Anechoic Resp. +/- 3dB 28 - 150 Room Resp. + 3dB/- 9dB 18 - 150 Max SPL Anechoic 107 dB Max SPL In Room 118 dB Dimensions HWD inches : 19.5" x 15" x 15" Dimensions HWD mm : 495 x 381 x 381 Weight (lbs) each: 51.1 lbs (23.2 kg) |
QS8 Enclosure: Acoustic Suspension Max Amp Power: 400 Watts Min Amp Power: 10 Watts Freq Resp +/-3db (Hz): 95 - 22kHz Freq Resp +3dB- 9dB (Hz): 65 - 22kHzk Impedance (Ohms): 6 Ohms SPL in Room1w/1m(db): 95 dB SPL Anechoic 1w/1m(db): 91 dB X-Over 2.5kHz Tweeter: Dual 1" Woofer: Dual 5.25" Sub Woofer: - Dimens. H W D (inches): 8.25" x 11" x 6" Dimens. H W D (mm): 210 x 280 x 152 Weight (lbs) each 13.5 lbs (6.1 kg) VP150 Enclosure: Acoustic Suspension Max Amp Power: 400 Watts Min Amp Power: 10 Watts Freq Resp +/-3db (Hz): 85 - 22kHz Graph Freq Resp +3dB- 9dB (Hz): 50 - 22kHz Impedance (Ohms): 6 Ohms SPL in Room1w/1m(db): 95 dB SPL Anechoic 1w/1m(db): 91 dB X-Over 2.7kHz Tweeter: Dual 1" Woofer: Triple 5.25" Dimens. H W D (inches): 7.5" x 27.5" x 7.5" Dimens. H W D (mm): 191 x 699 x 191 Weight (lbs) each 21.8 lbs (9.9 kg) |
Pros
- Fantastic sound
- Excellent imaging
- Can play LOUD without distortion
Cons
- Not suited for smaller living rooms
- May sound bright in livelier rooms
- Prices have gone up dramatically since the original publication of this review
Epic 80 Movie Theater Experience
Having come from a background in recording engineering and sound design for motion picture films, my passion is for good home theater loudspeaker systems. As such, my approach to this speaker review is purposefully structured to focus on the Epic 80's use as a home theater. Plenty of commentary is already available on the Epic 80 system which speaks to its build quality and penchant for producing loud, undistorted sound - and certainly these topics will be addressed later in this review. This exposition, however, is going to hone in on the practical applications, price, performance and overall value of having this system integrated into your primary entertainment center. By applying a real-world expectation and emphasis on home theater performance, I will attempt to present a practical review of the Epic 80 system.
But what about 2-channel and multi-format audio, you ask? Rest assured, I'll address musical applications as well, but I like to be up-front about my direction and intent on a review, so that there is no confusion about the intended audience or direction.
Back
Story: The Movie Theater Experience
As
the price of movie tickets go up and up, it almost
seems that less and less attention is paid to the
technical specs and maintenance of the theatrical
systems. I'm sure you have all experienced the blown
driver, or out of phase speaker that I have in certain
theater venues. Maybe, like me, you even call ahead
to check in which room a particular showing of a first-run
movie is going to take place! What is the reason for
this insanity? The achievement of the best possible
experience.
How does Axiom Audio's Epic 80 system play into all of this? As a proud new father, I know the merits of having a movie theater-killing system in your home. With less time available for going out, not to mention the added costs, one finds that having an excellent system in your home provides a wonderful venue for entertainment. One that does so at reduced cost while providing better imaging than a movie theater system. Big theatrical sound CAN be had in the home.
Epic 80 Packaging and Reference System
Axiom Audio is well-known for their great 30-day trial period offer. If, during the first 30 days, you do not like their speakers, they will refund your full purchase price. Shipping is free throughout North America and they have a 5-year warranty against manufacturers defects (1 year on subwoofers.)
The speakers arrived in double boxes, wrapped in plastic and braced with styrofoam. The foam was particularly cheap, as all but one piece broke during the shipment. It did its job protecting the gear, but it would be nice to have a more rigid solution for repacking in the event of a move or warranty replacement. When I find myself nitpicking about protective foam, it should give you an idea of how well these speakers performed.
The M80ti(s) and EP350 sub come with optional spikes and plastic feet for creating a solid connection to [through] your particular flooring material. I attached my floor standing speakers through the berber carpet using the spikes. As with any spike system, it is best to find a good position for your speakers first, then apply the spikes. Reversing the order makes for difficult speaker adjustments and needless hassle.
The Testing System
The Axiom Audio Epic 80 system fit well within my 12 x 20 listening room, providing enough room for the speakers to fire without being overly inundated by reflections. Below is the configuration utilized for this review:
Hardware |
Description |
Yamaha RX-V3000 |
Preamp / Processor |
Sherbourn 7/2100 |
300 watt x 7 Channel Power Amp |
Panamax 1000+ |
Line Conditioner and Noise Filter |
Axiom Audio M80ti |
Main Speakers |
Axiom Audio VP150 |
Center Channel |
Axiom Audio QS8 |
Rear Channels |
Axiom Audio EP350 |
200 watt 12" powered subwoofer |
Harman Kardon FL-8350 |
CD Changer |
Sony DVP-550P |
DVD-Video Player |
Toshiba 32A40 |
32" Trinitron TV |
Monster Z2B ML-15/15 |
Main & Center Speaker Cables |
Monster ZB100 SW-18 |
Subwoofer Cable |
Monstercable |
12 AWG surround wiring |
The Sherbourn 7/2100 amp cleanly powers a 4-ohm load at 300
watts/channel and an 8-ohm load at 200 watts/channel. With regards to
power handling, the Axiom Epic 80 system is 6-ohms all around, except
for the M80ti(s) which are 4-ohm. I found that the speakers performed
best at moderate to high SPLs. Music and home theater is dynamic, and
without giving these speakers enough power, you're just missing out on
all they have to offer
.
The Listening Environment
My listening room is characterized by a series of natural baffles and a good combination of neutral materials. Lots of time it is necessary to hang draperies and build or purchase fancy bass traps to eliminate problems in a room. I prefer to do it naturally, and as I built my home, I was able to construct a room where the furniture and natural materials could do most of the work for me. Bookshelves serve as diffusers, and 9' flat ceilings with berber carpet produce a room that is lively, but not highly-reflective.
The central listening position is a sofa located in the center of the room, 11 feet from the front wall, and 8' from the rear wall. The M80ti(s) are 9' apart and the QS8(s) are 7' apart on the rear wall to allow for reflectivity of the 'quadpolar' design. The EP350 is situated inside of the left M80ti with the 180 degree phase switch engaged. This configuration was chosen after a long and arduous attempt at finding the best place for the subwoofer. Placing the EP350 directly in the corner of the room yielded poor results: bass response was reduced and very loose. Having heard the EP350 in other rooms, I knew the secret was finding just the right position for the cabinet. After several trials involving crawling around on all fours (yes it does work!) I located the subwoofer in its optimal position.
Epic 80 Adjusting the Speakers
All rooms are different, so here are some considerations when setting up your system:
- Room dimensions
- Entertainment center configuration
(placement of speakers in relation to)
- Flooring material
- Wall placement, reflections, etc for surrounds
As mentioned earlier, in my 12 x 20 listening room I have situated the M80ti(s) about 9 feet apart. This allows for the entertainment center and the subwoofer to be located inside the two floor-standing speakers. I have the M80ti(s) slightly toed in (this was adjusted more after I reviewed the first CD.) The backs of the speakers are located about 1 foot from the rear wall and they are bi-wired to my Sherbourn 7/2100 amplifier. The Yamaha RX-V3000 serves as the preamp and processor for the entire system.
Upon setting up the speakers and integrating them into my system, the first thing I noticed was the incredible presence and detail of the highs. Having previously been an owner of B&W 602 speakers, the clarity and imaging put forth by the M80ti(s) was a refreshing upgrade. Vocals and guitars, which I had previously thought sounded good, all of a sudden appeared to sound much livelier. "Good" highs suddenly became great .
VP150
Center Channel
The
center channel, which anchors the main dialogue
and action to the television is locate on top
of the entertainment center, about 5 feet above
the floor. By utilizing typical rubber door stops,
I am able to point the center channel directly
at the listening position - a must for
accurate on-axis sound reproduction. I also recommend
bringing all three main speakers into alignment
so that the center channel driver isn't in front
of or behind the main speakers.
QS8
Quadpolar Surrounds
As
this was my first experience with 'quadpolar' surrounds
I had many expectations, but no idea of exactly
how well the directionality of the decoded sound
would be reproduced. Following the advice of Axiom aficionado Alan Lofft, I mounted the QS8s at
a height of 7 feet on the rear wall of my listening
room, about 7 feet apart (side wall mounting is
not possible in my case.) This set the speakers
in a position so that the side-firing titanium
tweeters could fire into the rear-center position
as well as to the sides for a wider soundstage.
Once installed, the ability of these quadpolar
surrounds to complete the soundstage is nothing
short of remarkable. I don't suppose I will ever
go back.
EP350
Subwoofer
Placing
the EP350 has proven to be the most difficult
aspect of setting up the Epic80 system. Having
heard this subwoofer in 3 different rooms so far,
the EP350 has always been a challenge to situate
and obtain clean, tight sub frequencies. After
much positioning and testing, I ended up finding
the best spot just inside of the left M80ti, about
1 foot from the rear wall, with the phase switch
set to 180 degrees . I can guarantee from experience
that you will need to do your own positioning
to find a spot in your own home. Once found, the
result is a nice, clean resonating subwoofer.
I have heard subwoofers with tighter punch, but not for this price. At $620 you get a strong subwoofer that isn't going to break up on you during extended low-end sequences. After some careful tweaking and manipulations, I found that the EP350 could blend in nicely with the frequency range supported by the M80ti(s). Using the subwoofer frequency sweep test on the Avia set up DVD I was able to set the crossover where it blended almost seamlessly into the system. For my system, that was around 55Hz.
Epic 80 Build Quality
One of the first things I noted about the Axiom Audio M80ti(s) was their hefty weight. At 57lbs/ea these speakers aren't made for walking. Put on the spikes and they hungrily grab your floor and buckle down for the long haul.
The gold-plated double binding posts were situated well on the back of the M80ti(s), allowing for easy attachment of my bi-wire cables, but also providing for any other sort of connection you may wish to engage. With this said, we couldn't figure out why Axiom didn't utilize the same binding posts on the VP150. Ours came with a different type of connector that made it almost impossible to attach a standard banana jack. We actually bent a high-quality gold banana tip in attempting to insert it into the center channel!
The internal bracing on the M80ti(s) is solid. And there is damping material aplenty inside of the enclosures. I was particularly impressed with the quality of the vinyl finish (mine was the Boston Cherry). "Seamless" is the word that comes to mind. Unless you're sporting some nicer speakers, you may be used to seeing edges and corners where the vinyl meets vinyl. Not on Axiom's line - we're talking invisible joints and corners, and that's refreshingly nice. It makes the speakers, already a great bang for the buck, seem like an even better investment.
Let's talk ports for a moment. The M80ti(s) have three each, one on front and two on the back. The midrange drivers are completely isolated from the rest of the speakers via the internal chamber construction. The triple vortex ports are tuned solely for the dual 6.5" low frequency woofers, which contributes to them attaining such good frequency response.
Epic 80 CD and DTS Audio Evaluation
We all have our favorite albums with which to listen to systems. It's important, because it's the only way to have a prayer at comparing a new system to what you already know, or the defacto standard you have created in your memory. For me, I utilize several albums which I will describe below. There are others I utilize as well, but these cover a wide array of testing material. These albums have been with me for quite some time and serve as good references for fidelity, imaging and how the speakers handle smooth Lexicon [or other] reverbs.
Steely Dan Gold (Expanded Edition) CD
I like to hear the clarity of a speaker system by playing "Hey
Nineteen" at high SPLs. I could almost hear the M80ti(s) merely
laughing at my futile attempt to test the punch in the guitars. When
the background vocals chimed in I couldn't believe how much additional
depth and detail were present. The most impressive detail present
during percussion and absolutely revealed finger noise during guitar
string plucking. After listening to the song a second time around I
noticed that when moving off axis by just a few feet I experienced a
dramatic phase shift in the music. Toeing the M80ti(s) in a little
further relieved this and the shift disappeared. In fact, after the
adjustment, walking around the center of the room yielded a fairly
consistent timbre, probably due to the multiple drivers of the M80ti(s)
which fill the entire area. The reverb in
"Deacon Blues"
absolutely enveloped the listening room with a smooth, natural sound unmatched with other speakers in
this price range.
Toy Matinee DTS
What amazed me here was the spatial imaging found in the title
track, "Toy Matinee." Toms rotating around the room appeared more
directional in this 5.1 system than in any other I've tested - a tough
achievement as the smooth transition of a sound between the rear
channels is jumpy without a center channel to help, and gradual rear to
front transitions are difficult at best. In "The Ballad of Jenny Ledge"
the detail present in the hi-hat showed off the accuracy and frequency
response of the dual 1" tweeters.
The Eagles - Hell Freezes Over DTS
As you can tell from the above reviews, I like to hear how smooth a
good reverb sounds, when played on a DTS 5.1 system. "New York Minute"
is probably one of my favorite songs of all time, and the Epic 80
system made me feel like Don Henley was singing in my living room. I
could not believe how gently the voices occupied my room, with an
almost eerie realism that I had not heard before. The drums are panned
wide in this mix, which allowed me to reference the accurate spatial
placement of the system - which was flawless. Smooth bass rounded out
this song and assured me that clarity and spatial accuracy wasn't the
only thing the Axiom's did well in this price range.
Seal
An oldie but goodie, Seal does a great job at revealing how the
speakers handle low-end and computer-generated techno frequencies.
Particular at 5:15 into "Crazy," there are frequencies that many people
aren't even aware of due to their system's inability to reproduce them.
While the M80ti(s) were unable to punch out the 25-35Hz sub-harmonics,
the EP350 filled in the gap just fine.
Epic 80 Movie Evaluation
For a review that was supposed to focus on the benefits of the Epic 80 Home Theater system, you are probably wondering how come it took this long to get to the movies! The truth is, the Epic 80 system is such a well-rounded set of speakers; I had to ensure that I fully explained its ability to accurately reproduce good music. But even more than that, this system offers a performance that exceeds systems costing far more.
With that having been said, there is a reason these speakers are designated the Epic 80 Home Theater system. They are absolutely suited for those wishing to stay home and enjoy a truly theatrical experience. It's no secret that I have long chastised movie theater owners and managers for not adequately maintaining their facilities. Broken drivers, phase issues, and poor audio calibration plague many theaters around the country. With the Epic 80, if you invite your friends over to listen to a well-produced DVD, you may just be able to charge admission!
The greatest asset to the Epic 80 system is the video-shielded VP150 center channel speaker. This is as clean and balanced a center channel as I've ever listened to at this price range. The triple 5.25" aluminum woofers deliver a stiff and accurate sound, reproducing crisp, clean dialogue and effects information. It is quite simply a pleasure to listen to this speaker. Because of it's unique dual tweeter design, both being located on the outside of the enclosure, the program material reproduced by this speaker are incredibly smooth, and transitions from the main speakers are almost seamless. The dual aluminum woofers were relocated to the outside of the speaker enclosure about two years ago to provide a wider listening area and reduce lobing effects. The result is the ability to move off-axis from the sweet spot without a drastic change in sound reproduction. Our discussions with Axiom yielded the following statement from Ian Colquhoun, Founder of Axiom Audio:
"We found in our experiments that the best off axis performance is achieved by having the tweeters to the outside of the Center Channel. We tried a WTWTW array but we could not get proper off axis performance. The current array of TWWWT gives the VP150 a very smooth response both on and off axis."
- Ian Colquhoun, Founder, Axiom Audio
In viewing the DTS Superbit version of The Fifth Element, the Epic 80 demonstrated excellent spatial panning and pointed surround placement. What surprises me is the ability of the system to provide stunning ambient surround information at the same time it provides directional pans and effects. For example, in Attack of the Clones, you will hear the wonderful environmental sounds of the water planet, coupled with very accurate directional surround information during the battle between Obi-Wan and Jango Fett. I chalk this up to the excellent engineering behind the Axiom QS8's quadpolar design.
U-571 is a great DVD for measuring the capabilities of any subwoofer-equipped 5.1 system. As you would expect, the EP350 performed adequately, generating a clean, controlled bass response that filled the room during the "Depth Charged" chapter. Over the years I've heard lots of subs, and one thing I did notice was that, while more expensive subs may deliver a more controlled punch, the EP350 is a well-rounded solution for bringing down the house. It also performs without the "chuffing" problems associated with other ported subwoofers due to its Vortex Porting (see image). After properly installing the EP350 subwoofer, you may have to take a tour of your house and nail down anything that is prone to rattling or falling off walls.
Epic 80 Conclusion
So What is the Verdict?
Here's the bottom line. I feel that the Epic 80 system is worthy of designating as a movie theater killer. I mean this. I would be happier sitting at home watching movies on this system than visiting the local theater. Here's why: The Epic 80 gives you better directional panning than most theater systems, so special effects and pans are coming from where they should be, not generally oriented for the dynamics of a general audience. I sit directly in the center of my home theater and know that when a plane flies overhead, it will fly overhead. Movie theaters have to concern themselves with providing an audio experience to a group of 85-250 people, depending upon the size of the theater.
Having mixed sound for television and designed audio for films, and having sent stems to the dubbing stage, I am familiar with the average size of a film mixing suite. With the exception of Skywalker Sound, most are set up more akin to a home theater than a large movie theater auditorium. Like a dubbing stage, at home I set up the sweet spot and the sound is custom tailored to me. It is more like the directors and producers (not to mention the sound designers) intended than when viewing in a poorly-maintained or inadequately-designed movie theater.
Do I still go out to see movies? You betcha. Not all theaters are as horrible as I put forth, and you will generally have the best ones mapped out in your area. I can honestly say, however, that films are typically much more enjoyable at home, especially when fed through my LCD projector and displayed on the big screen. With a system like the Axiom Audio Epic 80 handling the soundtrack, I can sit back, grab some popcorn, and enjoy the feature presentation.
The Score Card
The scoring below is based on each piece of equipment doing the duty it is designed for. The numbers are weighed heavily with respect to the individual cost of each unit, thus giving a rating roughly equal to:
Performance × Price Factor/Value = Rating
Audioholics.com note: The ratings indicated below are based on subjective listening and objective testing of the product in question. The rating scale is based on performance/value ratio. If you notice better performing products in future reviews that have lower numbers in certain areas, be aware that the value factor is most likely the culprit. Other Audioholics reviewers may rate products solely based on performance, and each reviewer has his/her own system for ratings.
Audioholics Rating Scale
- — Excellent
- — Very Good
- — Good
- — Fair
- — Poor
Metric | Rating |
---|---|
Build Quality | |
Appearance | |
Treble Extension | |
Treble Smoothness | |
Midrange Accuracy | |
Bass Extension | |
Bass Accuracy | |
Imaging | |
Soundstage | |
Dynamic Range | |
Performance | |
Value |