“Let our rigorous testing and reviews be your guidelines to A/V equipment – not marketing slogans”
Facebook Youtube Twitter instagram pinterest

Recent Room Acoustics Articles

Room Acoustics

Will Dirac’s New Active Room Treatment Minimize Need for Passive Treatments?

— August 29, 2022 00:50

Will Dirac’s New Active Room Treatment Minimize Need for Passive Treatments?

Dirac Live is looking at Active Room Treatment to let all speakers work together to correct each other allowing you to manipulate the spatial qualities of a system and overcome acoustic problems.

Room Acoustics

HAA Level I Certification Training Course Overview

— June 27, 2006 20:00

HAA Level I Certification Training Course Overview

This article is about HAA certification training and it also contains some great information on home acoustics from the course which I have included in this article. You may find that even a few

Room Acoustics

A New Way to Think About Room Acoustics

rives — May 06, 2006 20:00

A New Way to Think About Room Acoustics

I often have people ask me some very basic overall questions about the acoustical design of a room, such as: how much will it cost, what will it look like, how much better is it going to sound?

Room Acoustics

Bass Traps for Home Theater ‑ Not Just for Fisherman!

Ethan Winer — November 24, 2005 08:00

Bass Traps for Home Theater - Not Just for Fisherman!

How can you deal with bass problems in small rooms to provide a more uniform response for each listening seat? Passive room treatments such as bass traps is one way which we discuss here.

Room Acoustics

Designing a Listening Room ‑ Rives Audio

rives — June 28, 2005 20:00

Designing a Listening Room - Rives Audio

This article should provide a good understanding of what can be expected in terms of the process of designing a listening room. There are five phases to most design projects. Some of the phases may

Room Acoustics

Human Hearing ‑ How We Hear and Perceive Audio Quality Part 4

— May 01, 2005 19:00

Human Hearing - How We Hear and Perceive Audio Quality Part 4

This article summarizes the 3 part series discussing how the human ear perceived amplitude, phase and distortion to determine sound quality.

Room Acoustics

Human Hearing ‑ Distortion Audibility Part 3

— April 22, 2005 19:00

Human Hearing - Distortion Audibility Part 3

How sensitive is the human hearing to distortion? This article explores the audibility of distortion.

Room Acoustics

Human Hearing ‑ Phase Distortion Audibility Part 2

— April 06, 2005 19:00

Human Hearing - Phase Distortion Audibility Part 2

This article discusses how sensitive the human ear is to phase distortion and how it determines the listening quality we identify with.

Room Acoustics

Human Hearing: Amplitude Sensitivity Part 1

— April 04, 2005 19:00

Human Hearing: Amplitude Sensitivity  Part 1

Human Hearing from an auditory and perceptual standpoint is studied in this series of articles. Part I deals with Amplitude Sensitivity.

Room Acoustics

A Guide to Sound Isolation and Noise Control

rives — March 26, 2005 19:00

A Guide to Sound Isolation and Noise Control

This is a very appropriate saying with regard to sound isolation. We are often asked questions like: "What can I do to this wall to stop the sound going through to the bedroom on the other

Room Acoustics

Room Acoustics: Isolation & Noise Control

Patrick Hart — January 24, 2005 19:00

Room Acoustics: Isolation & Noise Control

Our first three courses in the CEDIA Seminars series covered proper system calibration after installation and set-up was complete, followed by two complementary courses on room acoustics. More often

Room Acoustics

Audyssey Labs' MultEQ

Patrick Hart — December 28, 2004 19:00

Audyssey Labs' MultEQ

Tom Holman had a problem. As Professor of Film Sound at the University of Southern California's School of Cinema-Television, one of Tom's duties was to set-up, calibrate and acoustically equalize

Room Acoustics

The Perfect Room?

— December 05, 2004 19:00

The Perfect Room?

I get asked "What is the perfect media or listening room?" quite often. My response is usually something on the order of "It depends." And that's very true, it depends on a lot of things, but mostly

Room Acoustics

Room Acoustics: Acoustic Treatments

Patrick Hart — October 24, 2004 20:00

Room Acoustics: Acoustic Treatments

Anthony Grimani's "Room Acoustics: Acoustic Treatments" class followed his course on "High Performance Home Theater Calibration" on the afternoon of my first day at CEDIA. I'm reviewing it here, as

Room Acoustics

Acoustics at Trade Shows

— October 19, 2004 20:00

Acoustics at Trade Shows

After a summer break, it's back to acoustics. I had intended writing on DIY and some basic room set up tips. However, that's going to wait until next month. I am just returning from the Denver

Room Acoustics

Acoustics 101 Course by John Dahl of THX

Patrick Hart — October 03, 2004 20:00

Acoustics 101 Course by John Dahl of THX

John Dahl has been a volunteer instructor for CEDIA for the last 11 years. So it's a pretty good bet that virtually all of the CEDIA design and installation professionals who have passed through his

Room Acoustics

High Performance Home Theater Calibration

Patrick Hart — September 29, 2004 20:00

High Performance Home Theater Calibration

The Custom Electronics Design and Installation Association (CEDIA) was founded in 1989 in recognition of the increasing complexity of integrating audio and video systems into the home environment.

Room Acoustics

Acoustics Facts and Fiction

Ethan Winer — August 30, 2004 20:00

Acoustics Facts and Fiction

In 1979 TEAC introduced the 144 Portastudio, and the recording industry hasn't been the same since! In those days a decent limiter cost nearly $1,000 and a good spring reverb unit would set you back

Room Acoustics

Calculating Room Modes with ModeCalc

Ethan Winer — August 30, 2004 20:00

Calculating Room Modes with ModeCalc

ModeCalc can help you design a new room that sounds as good as possible, or predict the low frequency behavior of an existing room. This tutorial explains the basics of room modes, and tells how to

Room Acoustics

Helmholtz Resonant Absorber

Adam P. Salisbury — August 30, 2004 20:00

Helmholtz Resonant Absorber

A listening room, defined by its dimensions, can be mapped in terms of a series of pressure peaks and nulls, in all three dimensions. This refers to the creation of standing waves (modes), and the

Room Acoustics

Physics Tutorial 2: The Physics of Hearing

Mike Duda — August 29, 2004 19:00

Physics Tutorial 2: The Physics of Hearing

This article describes the physics behind human hearing and sound waves. How the ear works and how we perceive sound is discussed.

Room Acoustics

Acoustical Measurements ‑ What are They?

rives — August 24, 2004 20:00

Acoustical Measurements - What are They?

I have heard some people claim "I just listen and walk around the room and clap my hands and I know what to do." I would say this is another "myth". What is true, is that final tuning of a room often

Room Acoustics

Introduction to Acoustics

rives — August 24, 2004 20:00

Introduction to Acoustics

Throughout this series we hope to educate and illustrate some of the fundamental points of room acoustics. This is by no means meant to be an intensive course on acoustics, which by the way, for

Room Acoustics

Getting the Right Acoustics for Your Listening Room

rives — August 24, 2004 20:00

Getting the Right Acoustics for Your Listening Room

"The room is the first thing we start with and the last thing we think about." This statement is so often true. It's unfortunate because the room, as we often refer to it as the "invisible component"

Room Acoustics

Rooms Without Boundaries: Using RPG Diffusors

Jeff Madison — August 24, 2004 20:00

Rooms Without Boundaries: Using RPG Diffusors

This month we have another guest writer, Jeff Madison from RPG. Jeff is the senior product application consultant in RPG's Home Theater Division. He spent his first years at RPG developing its

Room Acoustics

Room Modes and Dealing with Them

rives — August 24, 2004 19:00

Room Modes and Dealing with Them

When the boundaries of a room accentuate bas frequencies, the listener's perception is one of a reduced midrange and soundstage. If you don't get the bass right, nothing ever comes together very